Posts Tagged revolution
The Healing Hand of Art
Posted by Arwa Salah Mahmoud in Thoughts & Vents on June 16, 2014

Primavera by Sandro Boticelli (1445-1510)
The streets are happy. The TV shows are happy. Fireworks never stop in my street. We have a new president. No one wants to hear any words of truth right now. Those who wish to speak of anything that is not remotely euphoric are considered party poopers. I keep my mouth shut as I have had it for the past two years. There’s a war going on inside me, but I’ve learned over time to live with it. I’m tired and drained of sharp argumentation. I’ve learned to marginalize my feelings and my sentiment and enjoy the day, but sometimes I fail to ignore a piece of news or a little article and the feeling overtakes me once more.
Now it’s all over me because I just finished reading an article by Ahdaf Soueif titled “Let Them Rejoice” that goes on to list the young people who are held captive in prison without visitation or even lawyer rights. All fine, energetic, well educated young people. Some were picked randomly and some have a history of activism. All from the age group that constitutes the majority of the population. All are the kind of people that a rising nation would anchor itself to if it entertained any hope for a better future.
There is nothing I can do about any of this except sit and take it. So I’ll take you with me and show you how I deal with this. We’re flying to other places and we’re talking about other things. We’re talking about art. I’ve never studied art, but I have an ignorant man’s drooling passion for it that I find myself drawn to museums and galleries like a magnet.

Boticelli’s Flora
Let me take you to the sunlit hallways of the Uffizi gallery in Florence. This beautiful old building that was originally a private property holds a treasure of the Renaissance art that always mesmerizes me. I remember last year when I went there with my family. We had one day to spend in Florence and we tried to compact the entire city in a few hours. By the time we were at the gallery it was going to close in minutes. We created our own tour and decided on the particular works we absolutely had to see and began our mission, racing from one work to another until it was time for the reason why we got in in the first place. There shone down on us Sandro Boticelli’s Primavera, spring, that beautiful, colorful, almost sparkling painting bursting with life, symbolizing love and, to me, hope.
Venus stands in the middle of the picture, yet the face that draws me is that of Flora, the goddess of flowers, who stands on the right. The serenity in her face and the soft, subtle smile inspire me. That’s the mental state I wish I could stay in all the time. Yes. All the time, no matter who says what and no matter who kills whom. I want to keep that face and I want to keep that inner peace that comes with it. Some people do that no matter what goes on around them. They give flowers. They blow me away and make me feel ungrateful.
Anyway, back to my journey.
How about London? I could sure use a nice cup of coffee while I take in the beautiful June breeze of Trafalgar Square, then eagerly fly up the gigantic stairs of the National Gallery and walk in silence and contentment as I let the refreshing scent of old wood awaken my senses and tickle my brain. Unlike the freaked out visit to the Uffizi (which I intend to go back to with more time on my hands), I was blessed with countless visits to the Gallery. Over there I’m a dreamy wanderer floating from one painting to the next. Sometimes a certain one grabs my attention and I stand still before it, sit down if I can, and stare at it for as long as it takes. A particular one that captivated me was eighteenth century Time Orders Old Age to Destroy Beauty, by Pompeo Girolamo Batoni. There stood a hunched, old woman reaching to a young woman’s face, while Father Time sat pointing at the face. The painting is very large, large enough to be a mural. So the first time I saw it I sat back and looked into it for a very long time to take in the lighting, the drapery, and the detailed feathers of Father Time’s wings. But in reality I think that it was the idea itself that grabbed me the most; the thought of time and what it can take away from you. Looking back, it wasn’t about the fear of getting old as much as it was about the things we lose over time; all those people and moments we take for granted.
Apart from Primavera, I seem to have an unusual taste in paintings; ones that have a sense of anguish and loss usually draw me. That’s something I wasn’t aware of until a friend of mine pointed it out to me on our visit to the Louvre as I wandered everywhere trying to show her that painting I saw on my first visit with my father when I was only sixteen. It was a painting of a screaming mother whose baby was snatched from her breast by a lion. I didn’t know the title of the painting and I didn’t know who had painted it, but the mother’s expression had stayed in my head for 24 years. I found the painting with a miracle. It was also from the eighteenth century, painted by Nicolas-André Monsiau and titled Le Lion de Florence, the lion of Florence. I could not understand how a human hand could depict emotion so truthfully, how it could – with a paint of a brush – create sound and send chills down your spine. This is the beauty of art.
And it’s the very transcendence of European art that grips a person like me, coming from another part of the world and living in a faraway future, and matches her silent cries with a flash of light stemming from a painting or a pair of eyes that draw me into the souls behind them. During my visit to the Louvre, when my friend gave me her observation of my taste, I was a little drawn into myself, I didn’t know if it was true that I went after such paintings. It was too soon for me to accept that, but then my feet were suddenly stapled to the ground before a nineteenth century painting by Paul Delaroche, La Jeune Martyre, The Young Martyr. It depicted a beautiful dead young woman with tied hands, floating in dark water against a dark background, but her face was lit by a halo that was brilliantly reflected in the ripples. If you look closely in the dark background you see a silhouette of a man on a horse about to run off. I’ve read some interpretations that the silhouette was a symbol of moving on, of letting go, and hoping for a better future. To me, though, it was like a fragment of an ongoing war that resulted in the death of this young beauty. The focus on her in the painting told me that she was what mattered the most, she was the only thing at stake, and yet she was lost and the battle continued, indifferent to her loss, and the water carried her further away, out of the sight of the man on the horse, but further into the center of the picture, making her forever the most important, irretrievable loss.
Just like the young men and women in my country who dared to dream for their homeland. Some gave their lives, and some are losing it slowly behind bars, and the battle wages among us, making us lose focus and sight of what really is at stake.
So this is what I do when the ugliness begins to choke me. I travel with my brain to beautiful places and recall the memories I have of them. Yet somehow I always find myself coming back, seeing everything with the lens of the anguish and sorrow that I feel. Albeit with a deeper perspective that shows me that my feelings are universal. Art delivered the hands of the masters over time and across continents to me, to pat my shoulders and tell me that I’m not alone.
Election Day, Revolution Blues, and a Bitter Coffee
Posted by Arwa Salah Mahmoud in Thoughts & Vents on June 16, 2012
I never thought the day would come when a year and a half after the revolution people would be rushing to the polls to elect a new president while I sit home and sip my coffee. I have to say that coffee never tasted so bitter.
On May 23 I went down and I voted for president. I was skeptical of those who chose the boycott. Yes the system was imperfect, but here was a chance and we had to grab it. I was full of hope and overwhelmed with memories of everything that we went through trying to bring down a 30 year old corrupt regime–only to discover less than a month after the president stepped down that the fight was in fact against a 60 year old military rule.
I still had hope because I believed in the man I was voting for. I had asked his representatives direct questions on how he proposed to rid the country of the military handcuffs and they had clear, concise, answers.
Today the second round of elections brings before us a military man with a history of corruption vs a Muslim Brotherhood man. Logic dictates to anyone who cares about the revolution that the man to vote for should be the second. Everyone knew that it was a tough but necessary choice. Some Egyptians abroad took pictures of themselves in front of the voting stations squeezing a lemon on their heads. It’s an Egyptian saying that if you have to gulp someone you can’t really take you squeeze a lemon on yourself and take them anyway.
Facts which further proved that the military was not up to a clean election were unraveling before us everyday. Lawyers’ appeals to enact a law drafted by parliament to ban old regime figures from participating in the election fell on the deaf ears of the constitutional court. And to top it, two days ago the military swept the institutions of the country clean. The parliament was dissolved, the military police were granted free action in the streets with civilians – and with the help of the judiciary – and the committee to draft the constitution was from now on going to be appointed by the military. In other words, the military was no longer ashamed to show us who’s the real boss of us. They’re coming out straight in the open and telling us, in our faces, that we don’t exist.
Uproar from most of the country’s activists and intellectual demanded from the brotherhood to withdraw officially in protest and to surround the parliament building with all of its members and to protest the blatant attack on legitimacy in the country. It became clear to everyone that we’re heading up against a dead end with a huge wall the size of the mountains of Moria! But do the brotherhood stand up to the magnitude of the catastrophe? Do they grab what may be their last chance of creating a united front and winning millions of people on their side? Oh no. They choose to walk on to the wall, dragging the whole country behind them, announcing that their way is the only way. Their way is the revolution. That will do nothing short of further stapling their role in Egypt’s history since the fall of Mubarak as pure pigheadedness. One that is actually stapling us all up that frightful wall.
And once again, the emotional blackmail resumes as if nothing happened. “Abstention from voting is a vote to the military man.” “Abstention from voting is surrender.” “Vote for the revolution.” And my favorite “Save the revolution!”
In the parliamentary elections that talk scared me. When the second round was between a brotherhood member and a salafi member, I rushed to vote for the brotherhood. I had to save the revolution. I had to save my country. I helped put up a man that was part of a majority in a parliament that let us all down, and not necessarily by choice, but by the mere fact that it was a powerless parliament under the military junta. And now the junta have flexed their muscles and roared and swept it away altogether.
And I’m now expected to believe that the next president will actually have powers.
We have no constitution, we are clueless as to what the president will be able to do, and we have no answers from the “revolution’s candidate” on what he plans to do in this mess. None of those that will vote for him have any answers. But somehow magically we believe that by moving on with the rest of the herd the military is shooing to the ballots we are saving our revolution.
Sorry. I’m not taking part in this farce. Egypt deserves a lot more than this. And the reason I’m not going to the ballots for a second time is not because neither candidate represents me, but because both candidates will end up subservient to the real boss in this country. A boss that has actually come out in the open after working for so many years in the dark. A boss that has actually used our blood to reign openly, unashamed, taking us back to the dark ages of intelligence police, detention, imprisonment, suspicion.
Sorry. It’s a lot bigger and messier than casting a vote in a ballot. The revolution is much bigger than a puppet helpless candidate that has shown little stamina in the face of catastrophes.
In fact, by now I realize that none of the chosen few politicians who claim to represent the revolution have shown any stamina in the face of catastrophes.
The revolution will never die no matter what the military does and no matter who the president becomes, because it was instilled in the hearts and minds of the youth. And the youth are the future collective mind of this country.
I’m proud to have woken up in time. I’m proud of the revolution. I’m proud of my clean finger. But I’m still not enjoying my coffee.
Guest Post: An Ode to a Revolutionary
Posted by Arwa Salah Mahmoud in Guest Posts on July 8, 2011
By Salma Beshr
One eye shows the soul breaking free,
one eye shows nothing at all.
One eye has a lot more to see,
the other… has seen it all.
One eye has infinite clarity,
rinsed by the clear light of hope,
while the other eye, stung by reality,
has nothing but shadows to grope.
Side by side they both lay,
partners in every decision,
till one dark January day,
one eye was robbed of its vision.
But the eyes of the world would agree,
’twas taken only in name;
With only one eye left to see,
the vision stronger became
If I should be robbed of my right hand,
would I still have the will, the desire
to pick up a pen with my left hand
and somehow attempt to inspire?
Would that the heart–cold and cruel–
had instructed the hand that betrayed
to look reverently on so precious a jewel;
For freedom–a small price, indeed, to be paid!
Dedicated to Jawad El Nabulsi, who lost his eye during the protests and never ceases to inspire me with his cheerfulness, calm resolve and his vision of rebuilding the future.
Salma Beshr
The Silent Stallions of Libya
Posted by Arwa Salah Mahmoud in Thoughts & Vents on February 21, 2011
In Arabic we have a proverb that says beware the wrath of the patient. When Egypt rose against the tyranny, oppression, and widespread rooted corruption that had been governing it for three decades it was as if Sphinx had suddenly come to life and rose from his eternal rest. We toppled the president, a man known for his involvement in much of the plight of the Palestinians, if not his own people, but we still don’t feel that it’s over. Even before January 25, the day the revolution began, we had a series of little protests and semi-free press that criticized Egyptian domestic and foreign policies on a number of issues. Some journalists, although jailed later, criticized the person of the president. We expressed ourselves, but we were jailed, arrested, and tortured.
The Libyans have none of that. And they’ve had none of that for 42 years, not 30. I visited Libya in 2007 in a small attempt with a friend of mine to do some “Arab tourism,” visiting a fellow Arab country and seeing it through the eyes of a people who wanted to learn more about their immediate neighbors, with whom we share so much.
There was not a single day that passed without meeting a person who was either half-Egyptian or married to an Egyptian. Everyone was extremely kind, peaceful, calm. Nothing like what much of the media had tried to show of the Libyan people in many years that passed.
Posters of Qaddafi filled every street corner in such a way that made Mubarak appear quite benign, modern, civilized, and democratic. It was the 38th year of the coup d’etat which Qaddafi liked so much to refer to as a revolution. Larger than life images of him greeting his people, with the number 38 shamelessly plastered next to him.
We focused much of our trip on Benghazi, the land of the Sanoussis, the ousted royal family whom Qaddafi continued to despise, showing his hatred to the past with exaggerated and appalling neglect for the city. Streets were poorly paved, much of the buildings affected by the coastal weather were left unpainted for years. Government buildings were rundown, with broken windows left unfixed. Benghazi was a beautiful, neglected stallion ready to spring the minute it broke free of its curb.
People there were mostly silent. We were warned beforehand that it would not be wise to speak politics with any person. We were given the chance to visit the grandson of Omar Al Mukhtar, the legendary freedom fighter who fought the Italian invasion in the early twentieth century, now an elderly sheikh with an open lounge for students and visitors paying their respects. I was especially curious to listen to his views on the situation in the Middle East, especially after the 2006 war in Lebanon had just ended. The man’s eyes widened and he became extremely tense, refusing to talk to me, while men surrounding him decided that my friend and I were no longer welcome in the place.
Qaddafi does not just oppress dissent, he refuses the mere concept of opposition. Educators, professionals, writers, and many more skilled Libyans are living abroad. And outside Libya, if they oppose his regime he hunts them down and kills them. If you’ve ever tried talking to a Libyan about the truth of the Libyan regime prior to the current uprising you would know what I mean. Qaddafi haunted his opposition even in their dreams.
The more I watch the media the more evident the size of the horror gets clear to me, and that’s not just because of the sight of dead bodies or severely injured civilians. It’s because of the quivering voices of the anonymous eyewitnesses that can’t fight back their tears as they plea for help to the outside world, be they men or women, young or old. It’s in the shivering jaws and hands of the old opposition Libyans living in the UK, the US, Germany, and virtually most countries on the planet except their own, as they spoke with mixed emotions of grief and pride, their eyes wide in disbelief as they saw the liberation moment coming so close. Those silent people who couldn’t even speak about the regime even in exile were now exploding with horrors of the past they had witnessed, and appealing to the world with their plight.
I’ve seen it in my own country. If the fear is broken nothing else brings it back. If the wall of silence crumbles nothing will ever build it again. And it is crumbling everywhere in the Arab world, exposing the ugliness of the savage rule it had been subjected to for decades. And the Libyans, those amazing people who can teach the world lessons of patience, are bound to show the world how they will present their lives to the mad beast that dwells among them. It is their only gate to the world outside.
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